National Publications
Frank Nigra’s work appeared in nationally distributed magazines and journals, where he contributed original illustrations and was featured in editorial and cultural contexts
February 1947 - Cover - Nigra was featured in Liturgical Arts, a quarterly journal devoted to the arts of the Catholic Church. The publication reproduced several of his pen-and-ink drawings, presenting biblical subjects set within modern urban environments. The article noted the suitability of his work for ecclesiastical contexts, including stained glass.
February 1947 - Cover - Nigra was featured in Liturgical Arts, a quarterly journal devoted to the arts of the Catholic Church. The publication reproduced several of his pen-and-ink drawings.
March 17, 1947 - Cover - Nigra appeared in Newsweek’s art section with reproductions of The Holy Family and Descent from the Cross.
March 17, 1947 - Article Nigra appeared in Newsweek’s art section with reproductions of The Holy Family and Descent from the Cross. The feature highlighted his approach of placing religious subjects within contemporary city settings and introduced his work to a national, secular audience.
April 1947 - Cover - Following the March feature, Newsweek published letters from readers responding to Nigra’s work. Several letters commented on the clarity, accessibility, and modern relevance of his religious imagery.
April 1947 - Letters - Newsweek published letters from readers responding to Nigra’s work featured in the March issue.
April 1947 - Letters - Newsweek published letters from readers responding to Nigra’s work featured in the March issue.
July 1952 - Cover - Nigra provided the cover art for Integrity and was featured within the issue with three comic-style illustrations addressing social themes. He appeared in all four issues of the publication that year.
Products of Environment?
That comes with the apartment
I guess they had us in mind.
The Commonweal Nigra appeared in The Commonweal through published correspondence and written contributions. His letters and commentary engaged religious, cultural, and contemporary themes, reflecting his broader intellectual involvement beyond visual art.